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Drawn by the Brush: Oil Sketches by Peter Paul Rubens, by Peter C. Sutton, Marjorie E. Wieseman
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- Sales Rank: #2014911 in Books
- Published on: 2004-10-11
- Number of items: 1
- Binding: Paperback
- 272 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Drawn by the Brush
By Mike Ross
This is a handsome volume, well produced at 272 pages and 8.6 x 12.3 inches. The book follows an exhibition by the Bruce Museum of some 43 modelli by Peter Paul Rubens
Contents:
Underwriters, Lenders
Preface
Director's Acknowledgments
Introduction
Peter C. Sutton
Pursuing and possessing passion:
Two Hundred Years of Collecting Ruben's Oil Sketches
Marjorie E. Wieseman
The Oil Sketch as a Vehicle for Rubens's Creativity
Nico van Hout
Catalogue
General Bibliography
As another reviewer indicated, most of the photographic illustrations in the book are in black and white, which is highly unfortunate. I don't know if it was a thematic conceit on the part of the book's author/designer, but the only colour plates appearing within the book are of the exhibition modelli. Sometimes, albeit rarely, there is an additional colour detail plate of the modello under discussion.
It would have been a great boon to the book's overall presentation quality and value to have had more detail photographs, especially in view of the various author's statements commending Rubens' deft brushwork, to actually show that brushwork throughout via detail photographs (in colour). Indeed, even in the individual colour oil sketches comprising the exhibit, the author/designer did not make use of the book's ample page size, but in many instances showed diminutive photographs of same. There was an occasional full page reproduction (I believe 4 in total). I wish there had been many, many more, even if they had to switch the viewing print axis. Many of the black and white photos were so small (around 4 x 5 inches) and lacking in detail, and sometimes legibility, that their use as a talking point in reference to the text was rendered moot. Sometimes, following the colour print of the modello there was a photograph of the finished painting derived from same -- again, only in black and white, and often very small in size. It would have been wonderful to see the final resultant painting in colour and of suitable size so a comparison of the two (sketch and final painting) would have been possible. Perhaps there was a lack of available photographs of finished or derivative artwork pertaining to the exhibit; perhaps it was strictly a monetary consideration; then again, perhaps it was a conscious publication conceit. Whatever the reason, this was the biggest miss for me as far as this book was concerned.
On the plus side, and there very much is a plus side, the essays and general text were excellent and the text accompanying each oil sketch was quite academically thorough and well researched. So, if insightful essays on Rubens and detailed commentary on individual oil sketches are more to your tastes, then I do recommend this book. The topic at hand, i.e., oil sketches, was excellently covered and detailed and researched, even covering the provenance, previous exhibitions, and literature surrounding each piece.
As far as an overall score for this review, despite the outstanding text, the visual artist side of me has to mark it down for lack of illustrative presentation and poor use of the available page size to represent the art properly.
0 of 0 people found the following review helpful.
Five Stars
By Howard C. Mayberry, Jr.
A good review of Ruben's preliminary thinking regarding certain of his paintings.
0 of 0 people found the following review helpful.
Five Stars
By Carlos A. Navarro
Couldn't be happier!
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