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Painting and Photography: 1839-1914, by Dominique de Font-Reaulx
PDF Ebook Painting and Photography: 1839-1914, by Dominique de Font-Reaulx
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This comprehensive study offers detailed analysis of how classical painting challenged, resisted, and was influenced by the emergence of photography. Photography divided opinion since its invention; some saw it as an invaluable tool in the enhancement of artistic production, for others it was too mechanical to ever represent the grand concept of "art." This volume examines the fraught yet rich relationship that developed between them, from portraiture and landscapes to still lifes, nudes, and tableaux vivants. Accompanied by a rich selection of illustrations, the text charts this fascinating history from photography’s first forays into the public domain and the organizations set up to defend it against criticism, to the influence of figures such as Daguerre, whose daguerreotype invention raised the possibility of being able to accurately replicate images. This volume explores not only photography’s fight for recognition, but also its impact on painters of the day, as it challenged them to devise new ways to capture the human form, and forever changed the face of art.
- Sales Rank: #1032437 in Books
- Brand: Brand: Flammarion
- Published on: 2013-02-05
- Released on: 2013-02-05
- Original language: English
- Number of items: 1
- Dimensions: 10.33" h x 1.51" w x 7.93" l, 3.60 pounds
- Binding: Hardcover
- 328 pages
- Used Book in Good Condition
Review
"Written in an engaging, accessible style that never compromises on academic rigor, Painting and Photography: 1839-1914 provides a template for studying the early influence of photography on painting (and vice versa) for years to come." ~Bigthink.com
About the Author
Dominique de Font-R�aulx is the curator of photography at the Mus�e d’Orsay in Paris.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Superb scholarship
By ismellarat
Very good production values, thoroughly illustrated. Essential reading for anyone interested in how the two forms have played off of each other.
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